DOWNLOAD SLOG3 FOOTAGE

Hi Chris, Thanks a lot for sharing your slog 3 to rec effects preset for Premiere. Finding a solution I tried several things to find a solution for the banding problem: I’ll give it a try. Thank you very much Greg. Simply edit fast color corrector input white black and output white black. I’m trying to use it on a Mac, but to no avail. The 8-bit codec breaks apart when you start grading it.

slog3 footage

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Thank you in advance. Settings in DaVinci Resolve Offset Hi Chris, Thanks a lot for sharing your slog 3 to rec effects preset for Premiere.

How to use SLOG3 LUTs for Sony A7s II footage without visible banding in the highlights

I’m very far from an expert in colour, etc, but sometimes the client requires a short turnaround and I’ve been using Lumetri in Premiere most of the times. Although the banding issue is not really visible in this video, I had some clips that I didn’t include that really showed some nasty banding.

Most of the footage is shot for web content and I’m only looking for standard fotage looking colours. I work with slog3 footage regularly and my normal workflow is to add a kodak lut NEG to all of the footage.

Colour grading / S-log footage – Workflow : Adobe Premiere Pro

I’ll give it a try. I’m probably doing something wrong and would like to know your input. The proof is in the pudding, here are examples of the fotage scene, under the same conditions, shooting SLOG3 and Cine4.

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Hi everyone, I receive a lot of rushes shot in s-log2 and s-log3. FCPX is my editor of choice and I add a color correction effect and change the following exposure settings:.

slog3 footage

Attached are some screenshots to show the difference between looking in root file at. If you change this to “none”, you’ll see your original s log footage again.

Colour grading / S-log footage – Workflow

By setting footsge gamma to Cine4 you will lose just a little bit of dynamic range according to Cinema5D about half a stop but you will also lose the banding. Are you referring to graphics card?

Simply edit fast color corrector input white black and output white black. I had expected it to be usable since Sony footag to add it, but it clearly is designed for a bit or higher codec.

slog3 footage

But ofcourse the best thing of all and the reason for writing this blog post: The 8-bit codec breaks apart when you start grading it.

I am looking first on the supplied EVF of footae fs7m2 and after importing to computer HD on a calibrated iMac 27″ monitor You can check this by selecting the clip in the timeline and then looking at the inspector window.

How to use SLOG3 LUTs for Sony A7s II footage without visible banding in the highlights

I am exposing correctly with bright whites at 60 IRE. Thank you very much Greg. Return to posts index.

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slog3 footage

Return to posts index. As you can see the difference is in banding is huge, and there only footabe a very slight difference between the two images in term of color and contrast I think I even prefer the Cine4 version.

What’s your workflow to grade Slog footage with Lumetri? Do you have any tips for importing in to Prem? Finding a solution I tried several things to find a solution for the banding problem: However, I’m still searching for a more fluid and quick workflow which can deliver good results. To take off the automatically applied lut to all clips, simply select them all in the clip gallery, and then choose “none” again in the log processing area of the inspector window.

None of them worked. I’m trying to use it on a Mac, but to no avail. Please remember that this is just a starting point, not all footage is shot with the same exposure, you will have to create a node between this LUT and the one that contains the grade or look and adjust the exposure in a way that suits the particular footage.